Underwater pictorial reconstruction of the Roman shipwreck with eleven large *dolia* still arranged in the hold
Ladispoli.it/Places/Dolia ship

Underwater archaeology · The interrupted journey

The Torre Flavia *dolia* ship

Between the late 1st century BC and the early 1st century AD, a merchant ship sank off the coast of Ladispoli, carrying huge wine jars, amphorae, and the crew's everyday items. The wreck offers insights into trade, shipbuilding, and life on board.
Illustrative reconstruction · non-metrical hold and arrangement · maximum of 11 visible *dolia*
WhereLadispoli waters · shipwreck coordinates not published
PeriodLate 1st century BC–early 1st century AD
AccessShipwreck not open to visitors · artifacts housed in the Santa Severa museum

THE SITE AT A GLANCE

A terracotta storage vessel inside the ship's hull.

The shipwreck, discovered in 1983 and studied during three campaigns between 1983 and 1985, lies at a depth of approximately twelve meters. The remains were scattered over an area of ​​about four hundred square meters; a section of the hull planking measuring 6.60 by 3.30 meters was preserved. Based on this fragment, scholars have estimated the original length of the ship at approximately 18–20 meters; this is an estimate, not a measurement of the complete hull.

Five large, intact *dolia* and numerous fragments suggest an original cargo of ten to twelve containers, with a total theoretical capacity approaching fifty tons. Resin-lined inner walls and Dressel 2–4 wine amphorae indicate that wine was likely being transported. Stamps linked to the Minturnae area suggest production ties with southern Lazio, though they do not reveal a specific route or the port of destination.

The flat-bottomed hull—built with mortise-and-tenon planking and reinforced in the central section—was designed to carry an exceptional load. However, a sounding weight, wooden bilge-pump discs, sgraffito tableware, a duck-head decoration, and a lidded box interpreted as a medical kit bring the story back to the human scale of those who sailed.

AN ACTUAL ARTIFACT, THE MUSEUM, AND FOUR COMPARISONS

From salt on terracotta to the shape of the ship.

The first photograph is indeed of a *dolium* (large storage jar) recovered from the shipwreck. The other images show the museum, the coastal landscape, or comparative examples; they are never presented as photographs of the underwater excavation itself.

Macro photograph of marine encrustations on the surface of a *dolium* recovered from the Roman shipwreck at Ladispoli
AUTHENTIC ARTIFACT · DETAIL

Traces of the sea on the terracotta

Madreporal corals and encrustations mark the surface of one of the *dolia* recovered and preserved at Santa Severa. This is a macro detail of the artifact, not a view of the entire container.

Viscardo Squartini / Wikimedia Commons · CC BY-SA 3.0 · cropped and converted to WebP
Santa Severa Castle bathed in warm light, home to the Museum of the Sea and Ancient Navigation
WHERE TO SEE THE ARTIFACTS

The story continues at Santa Severa.

Within the Castle complex, the Museum of the Sea and Ancient Navigation houses the restored *dolia* (large storage jars) and reconstructs the ship's hold to illustrate the scale and organization of the cargo.

Fiat 500e / Wikimedia Commons · CC BY 4.0 · cropped and converted to WebP
Working reconstruction of a Roman hydraulic pump on display at the Santa Severa Maritime Museum
MUSEUM RECONSTRUCTION

Water outside the bilge

The pump shown in the photograph is an educational replica, not an original part of the ship. However, it helps interpret the perforated wooden discs found on board, which were part of a pumping system.

Lorenot / Wikimedia Commons · CC BY-SA 4.0 · cropped and converted to WebP
Roman merchant ship depicted in the 3rd-century AD Lod mosaic
ICONOGRAPHIC COMPARISON · CIRCA 300 AD

How the Romans envisioned a merchant ship

The Lod mosaic dates from about three centuries later and does not depict the Ladispoli shipwreck. It merely offers an iconographic comparison regarding the mast, sail, hull, and steering mechanism of a merchant ship.

Following Hadrian / Wikimedia Commons · CC BY-SA 2.0 · cropped and converted to WebP
Large *dolium* from the Roman villa at Minori, used here for typological comparison
Typological comparison · Not Ladispoli

A vessel larger than a person

The *dolium* in the photograph comes from the Roman villa at Minori, not from the ship. This comparison makes it possible to visualize the shape, thickness, and scale of these large, stationary transport or storage containers.

Tyler Bell / Wikimedia Commons · CC BY 2.0 · cropped and converted to WebP
Contemporary photograph of the surviving masonry of Torre Flavia on the beach at Ladispoli
COASTAL REFERENCE POINT · NON-SPECIFIC LOCATION

The tower provides the name, not the coordinates

Torre Flavia defines this coastal area in the public narrative. The photograph does not indicate the shipwreck site and should not be used to search for the wreck.

Sailko / Wikimedia Commons · CC BY 3.0 · cropping and WebP conversion

WRECK DATA

What is measured and what is reconstructed.

The published data allow one to gauge the scale of the shipwreck, provided that the preserved dimensions are not confused with those hypothesized for the entire ship.

~12 mDEPTH

Approximate elevation of the archaeological site.

~400 m²Dispersion

Approximate area containing documented remains.

6.60 × 3.30 mPRESERVED HULL

Documented wooden section; not the dimensions of the complete ship.

18–20 mESTIMATED LENGTH

Reconstruction of the original ship based on the remains.

10–12*Dolia* assessed

Five intact vessels plus fragments support the estimate of the initial cargo.

~50 tTHEORETICAL CAPACITY

Order of magnitude, not the weight of the cargo measured at the time of the shipwreck.

  1. 01Underwater survey

    Documentation of the dispersion, planking, and positioning of materials during the 1983–1985 campaigns.

  2. 02Study of the hull

    Analysis of planking, mortises, tenons, frames, and reinforcements to understand the construction method.

  3. 03Comparison of cargo load

    *Dolia*, amphorae, resin, marks, and repairs are interpreted together, without turning clues into a definitive route.

  4. 04Museum display / Musealization

    Restoration and reconstruction of the hold restore the original proportions and functions for the public without exposing the submerged site.

SIX CLUES WITHIN THE SAME SHIP

Cargo and life on board.

The ship carried more than just large vessels. Each group of artifacts sheds light on a different activity, ranging from navigation and maintenance to personal care.

  1. 01STRUCTURE

    Planking and ribs

    Planks approximately four centimeters thick, mortise-and-tenon joints, and closely spaced ribs form a sturdy hull, reinforced in the cargo area.

    Scientific documentation and museum reconstruction
  2. 02HOLD

    Resin-coated and repaired *dolia*

    The large jars were integral to the ship's design; their linings and lead clamps provide evidence of their use, maintenance, and economic value.

    Artifacts restored in the museum
  3. 03BOW AND STERN

    Dressel 2–4 amphorae

    Campanian wine containers accompanied the main cargo, likely placed in the spaces left open by the *dolia*.

    Archaeological materials studied
  4. 04BILGE

    Pump and sounding lead

    Perforated wooden discs and a lead weight provide evidence of water management and depth measurement during navigation.

    Comparison with museum reconstructions
  5. 05CREW

    Tableware, graffiti, and furnishings

    Utilitarian vessels, incised marks, and a wooden duck-head decoration evoke everyday actions and lived-in spaces.

    Artifacts and publications
  6. 06CARE

    The small box interpreted as a medical kit

    A closed wooden container with small compartments and remains—including coriander and cumin—suggests a therapeutic kit; the function is plausible, though not certain in every detail.

    Archaeological interpretation

ESSENTIAL STEPS

The history,
in order.

Confirmed dates, archaeological phases, and traditions are presented for what they truly represent.

  1. 01

    The shipwreck

    A cargo ship laden with *dolia* and amphorae was lost off the coast of Ladispoli. Its origin, departure point, and destination remain unknown.

    datazione archeologica
  2. 02

    The discovery

    The shipwreck is located, and the first excavation campaign—directed by Valeria D’Atri and Piero Alfredo Gianfrotta—begins.

    storia della ricerca
  3. 03

    Three underwater campaigns

    The hull, cargo, and associated artifacts are documented, selectively recovered, and studied across an area of ​​approximately four hundred square meters.

    campagne documentate
  4. 04

    The first comprehensive publication

    The *Bollettino d’Arte* presents the shipwreck, the *dolia* (large storage jars), and the onboard artifacts to the scientific community.

    pubblicazione MiC
  5. 05

    The hull is re-examined

    A study in *Archaeonautica* examines naval architecture, assembly systems, and hull-bottom reinforcements in depth.

    studio scientifico
  6. 06

    Restoration and museum

    Five *dolia* and their associated grave goods are being added to the exhibition at the Museum of the Sea and Ancient Navigation in Santa Severa.

    musealizzazione documentata
  7. 07

    Protecting without pinpointing the location

    The shipwreck remains part of the underwater heritage: public knowledge of it is gained through museums and documentary sources, not by independently searching for the sinking site.

    tutela responsabile

WHAT TO OBSERVE

Reading the site,
detail by detail.

DOLIA

Structural containers

These enormous jars were not merely oversized amphorae; their weight and bulk dictated the construction and use of the ship's hold.

WINE

A probable load

Internal resin lining and wine amphorae support this interpretation, although no label indicating the original contents has survived.

HULL

Mediterranean carpentry

The hull was assembled using mortise-and-tenon joints before the internal structures were installed, following ancient shipbuilding traditions.

BREAKS

Repaired large jars

Lead clamps and pourings indicate that enormous vessels could be repaired rather than replaced.

EDGE

Technology and daily life

The pump, sounding lead, tableware, and furnishings recreate the crew's daily work, going beyond the mere commercial history.

MUSEUM

Viewing without diving

The reconstruction of the hold at Santa Severa makes the *dolia* system visible without endangering the shipwreck.

BEFORE GOING

The shipwreck is best understood in a museum, not by searching for it at sea.

The artifacts and a full-scale reconstruction of the ship's hold section are associated with the Museum of the Sea and Ancient Navigation within the Santa Severa Castle complex on the Via Aurelia. Opening hours, room access, and ticket details may vary depending on the season and current exhibitions.

Always check official channels before setting out. This page does not provide coordinates, alignments, buoy locations, or diving instructions. Do not search for, touch, or retrieve materials from the wreck; underwater archaeology requires permits and specialized preservation.
DESTINATIONSanta Severa Sea Museum

The museum trail displays large *dolia* (storage jars) and shipboard artifacts within the context of ancient seafaring.

OPENING HOURSCheck the selected day

The complex operates on a seasonal schedule and is normally closed on Mondays; Check the official website for any changes.

TICKETSCheck the included route

Combined rates, temporary exhibitions, and access to different areas are subject to change: please consult the official ticketing page.

ACCESSIBILITYAsk the museum for confirmation

Please check directly before your visit regarding elevators, barrier-free access, facilities, and the availability of the archaeological halls.

Open the location on Google Maps

CONSULTABLE SOURCES

To learn more,
and verify.

This first edition organizes the most solid information. Individual pages may be expanded with documents, surveys, and archival photographs.

EXCAVATION AND MATERIALS

The Torre Flavia shipwreck.

Bollettino d’Arte · Ministry of Culture · 1986

Reference publication regarding the excavation campaigns, *dolia* (large storage jars), grave goods, and the initial interpretation of the shipwreck.

Open the source
NAVAL ARCHITECTURE

L’épave à dolia de Ladispoli

Archaeonautica 11 · 1993

Scientific study of the hull, joints, internal structures, and reconstructed dimensions.

Open the source
Dolia-carrying ships

The role of shipwreck cargoes

Candace Rice · 2016

Mediterranean comparison useful for interpreting the function, capacity, and trade networks of ships carrying large containers.

Open the source
SOUNDING

Ancient sounding weights

John Peter Oleson

Typological study of sounding weights to better understand the lead artifact found on board.

Open the source
LOCAL HERITAGE

Ladispoli’s historical and archaeological heritage

Municipality · GATC · GAR · 2024

Summary concerning the shipwreck, recovery campaigns, and artifacts housed at Santa Severa.

Open the source
MUSEUM TRAIL

Museum of the Sea and Ancient Navigation

Santa Severa Castle Civic Museum

Official channel for the rooms, the artifact display route, and up-to-date visitor information.

Open the source
OFFICIAL OPENING HOURS

Opening hours of Santa Severa Castle

Lazio Region · LAZIOcrea

Check this page before setting out for information on seasonal opening times and days when the site is closed.

Open the source
OFFICIAL TICKETS

Tickets and visiting conditions

Santa Severa Castle

Current rates, discounts, and access to the complex's various sections.

Open the source
UNDERWATER PROTECTION

Convention on the Protection of the Underwater Cultural Heritage

UNESCO · 2001

International principles of *in situ* conservation, authorized research, and combating non-scientific recovery.

Open the source